These are pictures of my dragon making Dinko took. The book will explain what happens in between the first picture and the last one. he first picture is of me (Boris) discussing with someone, don't remember who now, something, don't remember what now, something obviously important enough to stop working on the dragon. The second picture is again of me, it could have been a picture of any bald dude, but it is of me, preparing to take a brake. As you can probably see I prefer to work sitting on the floor. The comment I have to make here is about workspaces. Any workspace you feel comfortable with is fine, there is no rule that you should have a studio or a specific work area or anything like that.
This is the picture of the dragon that is in the book. Mention has to be made of the dragon variations. In order to be able to present a step by step instructions for his dragon I made several different dragons before this one. Sometimes making several versions of a figurine before making the final version works better. However there are times when the final version of the figurine is the first one you make and only after that ideas of variations rush into your mind. Both approaches work equally fine. In my opinion when you feel inspired (and inspiration is a mysterious thing) the second approach comes into place. At times of logic and cold blooded craftsmanship the first approach seems to work better.
These are pictures of my dragon making Dinko took. The book will explain what happens in between the first picture and the last one. he first picture is of me (Boris) discussing with someone, don't remember who now, something, don't remember what now, something obviously important enough to stop working on the dragon. The second picture is again of me, it could have been a picture of any bald dude, but it is of me, preparing to take a brake. As you can probably see I prefer to work sitting on the floor. The comment I have to make here is about workspaces. Any workspace you feel comfortable with is fine, there is no rule that you should have a studio or a specific work area or anything like that.
This is the picture of the dragon that is in the book. Mention has to be made of the dragon variations. In order to be able to present a step by step instructions for his dragon I made several different dragons before this one. Sometimes making several versions of a figurine before making the final version works better. However there are times when the final version of the figurine is the first one you make and only after that ideas of variations rush into your mind. Both approaches work equally fine. In my opinion when you feel inspired (and inspiration is a mysterious thing) the second approach comes into place. At times of logic and cold blooded craftsmanship the first approach seems to work better.
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